Richmond (Va.)
Found in 197 Collections and/or Records:
A Comprehensive Exhibition of Sculpture by Malvina Hoffman, Mar. 6-Apr. 4, 1937
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
A Comprehensive Exhibition of the Contemporary Art of Argentina, Jan. 16-Feb. 26, 1940
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
A Memorial Exhibition of the Paintings of Katherine Rhoads, May 18-Jun. 18, 1939
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
A Memorial Exhibition of the Sculpture of John Flannagan, Feb. 17-Mar. 6, 1946
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
A Memorial Exhibition of the Works of Dugald Stewart Walker, May 8-Jun. 6, 1937
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
A Retrospective Exhibition of the Work of John Adams Elder, Jan. 11-Feb. 5, 1947
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
A Souvenir of the Exhibition Entitled Healy's Sitters or a Portrait Panorama of the Victorian Age, Jan. 24-Mar. 5, 1950
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Aerial View, Confederate Women's Home, Richmond, Va., [ca. 1934]
The collection’s inclusive dates are 1885-1958, with the bulk of the material dating from 1885-1937. The collection is comprised of photographs, postcards, reunion ribbons, press clippings, and a guest register.
Aerial view of campus with Virginia Museum of Fine Arts, Confederate Women's Home, Robinson House, Benedictine Catholic Church, Battle Abbey and Johnston Willis Hospital, taken by Dementi Studio, 1937
The collection’s inclusive dates are 1885-1958, with the bulk of the material dating from 1885-1937. The collection is comprised of photographs, postcards, reunion ribbons, press clippings, and a guest register.
American Painting 1954, Feb. 26-Mar. 21, 1954
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
An Afternoon with Benjamin Wigfall, Nov. 16, 2003
This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.
An Exhibition of Nineteenth Century Virginia Genre Paintings, Jan. 17-Feb. 13, 1946
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
An Exhibition of Silver: French, British, American, Modern, Nov. 19-Dec. 30, 1940
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Animal Sculpture by Anna Hyatt Huntington, Oct. 6-26, 1942
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Applicant Identification Card, [1954]
This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.
Armstrong High School Report Card - Benjamin Wigfall, June 1947
This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.
"Blue and the Gray Re-Union" Ribbon, Seward Post 37, G.A.R., Auburn, N.Y. and R.E. Lee Camp, C. V., Richmond, VA, July 4, 1885
The collection’s inclusive dates are 1885-1958, with the bulk of the material dating from 1885-1937. The collection is comprised of photographs, postcards, reunion ribbons, press clippings, and a guest register.
Bungalow City: The James Brothers [includes photos of Louis Draper's family home on Liberty Avenue], Dec. 25, 1977
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Catalogue: The Henry P. Strause Collection of Clocks [The First Anniversary Exhibition], Jan. 16-Mar. 1, 1937
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Ceramic Sculpture by Waylande Gregory, Feb. 3-20, 1944
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Children looking at Fabergé egg pendant, Late 1950s/early 1960s
Description: A young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Children looking at Fabergé eggs, 1966
Description: A young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Children looking at Fabergé imperial eggs, undated
Description: Two young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Children looking at Fabergé imperial eggs, Late 1950s/early 1960s
Description: Two young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Children looking at Fabergé objects in gallery case, Late 1950s/early 1960s
Description: A young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Children looking inside Fabergé imperial egg, 1966
Description: Two young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.
Children’s Paintings: An Educational Exhibition, Feb. 6-Mar. 2, 1943
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Chinese Exhibition: Jades, Sep. 18-Oct. 3, 1943
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Chinese Exhibition: Modern Paintings, Sep. 18-Oct. 3, 1943
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Christmas Card, 1958
This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.