Richmond (Va.)
Found in 177 Collections and/or Records:
Cossitt children holding Fabergé vase with tulip, 1967
Description: A young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Cossitt children viewing Fabergé imperial eggs, 1967
Description: Two young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Cousin Raymond ?, Sonny and Hughes, ? Hobson, Dec. 1979
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
"Czarist Treasures to be seen in the Lobby of the Jefferson Hotel," Richmond Times-Dispatch (2 copies), Apr. 24, 1932
Dad, Aunt Beck and Uncle Jim, undated
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Dad in Barber Shop (Billy Cutting Hair), Sep. 1979
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Design in Scandinavia: An Exhibition of Objects for the Home from Denmark, Finland, Norway, Sweden, Jan. 15-Feb. 14, 1954
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Douglas Wallace, 1994
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Douglas Wallace, 1994
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Douglas Wallace, 1994
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Douglas Wallace, 1994
The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.
Drawings and Paintings of Charles Dana Gibson, Mar. 9-29, 1943
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Edgar Degas 1834-1917: Original Wax Sculptures, Mar. 16-Apr. 29, 1956
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Exhibition of Art of the Armed Forces, Jun. 1-Jul. 1, 1944
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Exhibition of Masks, Oct. 23-Nov. 17, 1943
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Exhibition of Oriental Rugs, Mar. 17-Apr. 15, 1945
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Exhibition of Paintings, Drawings and Sculpture by the Art Departments of Virginia Colleges, May 6-21, 1944
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Exhibition of Steuben Glass, Oct. 29-Nov. 30, 1938
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Gari Melchers: A Memorial Exhibition of His Work, Jan. 17-Feb. 28, 1938
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Gilbert Stuart, Dec. 1, 1944-Jan. 14, 1945
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
[Harry?] Robertson, Docent and Studio Instructor, holding Fabergé rabbit pitcher, Mar. 23, 1959
Description: A young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.
Headquarters, The Soldiers Home, Richmond, Va., [1907]
The collection’s inclusive dates are 1885-1958, with the bulk of the material dating from 1885-1937. The collection is comprised of photographs, postcards, reunion ribbons, press clippings, and a guest register.
Henrietta Lloyd Near, State Services Assistant, cleaning the flowers in the gallery case, June 26, 1956
Description: Museum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.
Henrietta Lloyd Near, State Services Assistant, cleaning the flowers in the gallery case, June 26, 1956
Description: Museum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.
Illuminated Manuscripts and Incunabula, Jan. 16-Feb. 10, 1943
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
In Memoriam - Robert Loftin Newman and Jerome Myers, Jan. 26-Feb. 27, 1942
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Jean Hélion and Pierre Daura, May 12-30, 1942
This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES).
The identifier for each catalog is the same as the master exhibition number.
Letter, Jan. 27, 1921-Feb. 19, 1932, undated
Series level description: This series contains Payne's professional correspondence, including letters from President Woodrow Wilson, invitations, and one Christmas Card. The majority of the correspondence is from Federal Agencies including: The White House, United States Senate, The House of Representatives, and The Post Master General. Correspondence also includes letters from Payne's former employer, as well as letters of thanks, and requests from private entities.
Letter, Jan. 27, 1921-Feb. 19, 1932, undated
Series level description: This series contains Payne's professional correspondence, including letters from President Woodrow Wilson, invitations, and one Christmas Card. The majority of the correspondence is from Federal Agencies including: The White House, United States Senate, The House of Representatives, and The Post Master General. Correspondence also includes letters from Payne's former employer, as well as letters of thanks, and requests from private entities.
Letter, Jan. 27, 1921-Feb. 19, 1932, undated
Series level description: This series contains Payne's professional correspondence, including letters from President Woodrow Wilson, invitations, and one Christmas Card. The majority of the correspondence is from Federal Agencies including: The White House, United States Senate, The House of Representatives, and The Post Master General. Correspondence also includes letters from Payne's former employer, as well as letters of thanks, and requests from private entities.